The digital counterpart to my analog, in all it's contrasted glory.
In direct contrast to "Analog," this piece is based entirely around the MIDI-based concept of digital sampling. This concept has become so commonplace that we modern composers have basically taken it utterly for granted. As with "Analog," the source material is 100% derived from me scratching a few notes out on an irish penny whistle. Unlike the previous piece, though, my exploitation of sampling allows for a creation beyond the scope of true analog electronic music (of course, in reality both are technically digital...)